This was a fun panel to make! It was commissioned by a couple with a Georgian house and instead of replacing their transom light above the front door with a traditional leaded light they wanted to add a contemporary touch to their home. Glass is great for blending contemporary design into a period home as it can be a contemporary design but as it is such an traditional material it never seems to jar.
The theme was swallows and fossils and the clients wanted a real sense of movement. I hope I have captured this and everyone was pleased with the installation
I delivered this panel today. This was commissioned to hide the buildings behind the garden. The home is part of an old converted school in North Devon. The customer watches the birds from the kitchen windows, so we continued that theme for her design.
Although this is a traditional leaded panel I have made the birds by fusing glass in the kiln and then I painted on their wings and put in the kiln a second time. The thistles and foliage have been painted onto the glass using lustre and come to life after dark when the light comes from the inside instead of from behind.
The customer is arranging for the panel to be fixed place , at a height to best obscure the buildings beyond the garden.
Based on the Cornwall’s Sennen Cove, this seaside scene combines traditional leading and kiln fired glass paint with kiln formed glass pieces. I made the glass for the beach specially and it has flecks of gold running through the glass. This panel was made to add privacy and hide the side wall of the house next door. It adds a really great feature for the long upstairs hallway.
Over the years I have made several large panels for a couple with a new build, grand designs style house in Gloucestershire. They are a lovely couple who
have come back for a second pair of windows to accompany their initial rectangular front door transom light. I made the triangular panels some months ago now, but have been very remiss with my blog.
I made these panels by fusing crushed up glass ‘frit’ onto a clear glass base layer and they were fired at The Creative Glass Guild in Bristol as they were far to big for my kiln! The triangular panels are just under a meter tall. These are the largest fused things I have ever made, and waiting for the kiln to finish made me feel a bit sick, as so much can go wrong if you get the heating and cooling wrong with big pieces of glass. Anyway, they turns out very well and the clients are very happy too!
I have just installed these 2 windows into a newly renovated home in Exeter. The building itself is an old vicarage, which is several hundred years old and has been added to over the years, most significantly in the 1960s and again by the new owners. They have added a new atrium and extension, but this has left the bathroom on the ground and first floors with windows over looking the staircase, so one of the main design factors was obscuring the bathrooms for privacy.
The clients wanted lots of colour, lots of fish and lots of blue. The windows are one above another and visible both from the staircase and the bathrooms. The bottom panel has coral and the fronds
of seaweed reach up and match up to those of the first floor window.
Each of the fish in the design has been formed in my kiln by melting crushed and small strips of glass. Once the glass has melted together into fish shapes I have
painted the details on and re-fired in the kiln to fix the paint in place. Once I made all the fish I incorporated them into a traditional, leaded stained glass windows, mixing modern techniques with traditional ones, which echoes the mixture of old and new architecture in the house.
These have been a labour of love and very time consuming; incorporating fused glass is technically more tricky than a standard leaded panel. But they have been well worth the effort, the clients are delighted with them and I think they have turned out really well. I especially like the way they reflect off the white bathroom tiles and bounce coloured fish reflections around the rooms.