I have been working on these doors for a converted chapel on the edge of Dartmoor since October and finally we got them installed this week. The site is full of character and has the most amazing original stained glass from when the building was a working place of worship. The customers wanted something much more modern and secular to fit into the doors between the living room and the kitchen and I created a loose Dartmoor scene leading up to Hounds Tor. As you get closer to the glass smaller details become apparent and there are lots of trees, butterflies and even a tiny hawk hovering in the sky. I have added some acid etching and small areas of lustre.
The biggest challenge with these windows is the fact they are so big. at 213cm tall they are considerably bigger than me. I used rigid zinc came for all the straight lines to keep the weight of the panels to a minimum and to give added strength and finer lead lines for the pattern. A good template is the basis of all stained glass and thankfully the
This little panel is off to its home – a newly made front door. The surfers are the customers children and this is a favourite holiday spot of theirs. The panel is made using traditional leading techniques and kiln fired glass enamels.
Based on the Cornwall’s Sennen Cove, this seaside scene combines traditional leading and kiln fired glass paint with kiln formed glass pieces. I made the glass for the beach specially and it has flecks of gold running through the glass. This panel was made to add privacy and hide the side wall of the house next door. It adds a really great feature for the long upstairs hallway.
I have just installed this large window, which I have been working on for the last couple of months. It is just over a metre square and is situated in the lounge/diner of a modern bungalow. The client was keen to obscure the view from the window: an ugly brick wall and as she has a special love of the Island of Tresco a landscape seemed like the perfect solution.
The window has lots of details, to keep the viewer interested over a long period. As well as using a wide range of textures and types of stained glass (from antique, mouth blown glass to modern, machine rolled iridescent water glass) and have acid etched shells into the glass in the border and painted agapanthus (in a mixture of glass enamels and lustre, which were then fired in the kiln) and other natural details in the panel itself.
The window sits in front of a double glazed window, resting on the window sill and is screwed into the window surround with small brackets and thanks to my helpful dad who made a frame for the panel to sit in.
The Tresco panel has transformed the room and because it is visible from the front door, it has added the ‘wow factor’ to the property from the minute you walk in. It was such a dark, grey day today the photos really don’t do the piece credit; but I am assured that in a brief break in the clouds, the sun was shining through the panel and sending colourful blocks of coloured light around the room.
I get quite nervous about delivering work, what if it doesn’t fit? What if they hate it? But it fits perfectly and the client emailed me to say , “Thank you for the beautiful window! As the light is going the colours coming through are stunning-doesn’t show when photo taken-and earlier sitting on the sofa looking at it -wow!” So I can rest easy, phew!