I have been working on three public commission War Memorials over several years and this week saw all 3 of them launch; ahead of the Remembrance events on Sunday 11th November. I have found these commissions fascinating and it has been a poignant experience and I am honoured to be part of the centenary
In 2014, I was commissioned by Devon Remembers to work with Teignmouth Community School year 7’s to create a war memorial inspired by the experiences of the people on the Teignmouth Home Front (read about it here). I completed the piece a year ago, but it was moved from its usual home in the school reception, to Exeter Cathedral for the 100 year Centenary.
all of the members of the football team lost in combat over both world wars.
This was a fabulous piece to make as I got to combine the ‘old crafts’ of painting and leading with the modern fusing and photographic firing techniques. Roge Slater from the club made the frame and the work is back lit and on display at the Club.
My final War Memorial was much closer to home. My colleague Sam Lock and I were approached by the Teignmouth Remembrance Committee to create a fitting art installation for the centenary of W1. We decided on a make do and mend theme and invited people from Teignmouth and all over the country to join us in making fabric or woollen poppies. The result was 30 metres of net covered in handmade poppies. When we had secured all the hundreds of poppies to the net I went up in the cherry picker and secured them to the top of the lighthouse. Despite very heavy weather the memorial remains in place for Remembrance week and hopefully beyond. Thank you to all the hundreds of people who made poppies for us, from primary school children to octogenarians. This has been a wonderful project and we are so grateful to the town for being so enthusiastic about the project.
Mixing history and art is when I am generally happiest and I have had such a great experience with the 180 students at TCS, the research team at Wealdstone and with my fellow towns people in our little seaside town. I just wish that humans could move beyond remembering the horrors of war to learning from these lessons of history.
St Michael’s have kindly allowed myself and talented artist Rachael Bennett to exhibit our Devon Open Studios 2018 show (8-22nd September) in the church and we are using the opportunity to make work in response to the history, architecture and landscape of this well loved landmark during the event.
For Open studios I am planning to create a large artwork on the social history of the church, so many Teignmouthian’s have passed through the building, in Christening gown, wedding dress or onto their final resting place and I want to explore all the human history of the church during open studios.
My intention is to fire lots of photographic images of people’s christenings, marriages and funerals onto glass and make a stained glass celebrating the history of the church and it’s congregation.
BUT to make this work I need of photos! I am asking everyone who has passed through the doors of the church to send me a copy of their favourite photos of these life events.
Did your grandparents get married there?
Did you get married there?
Would you like to remember a special person whose funeral was held there? Have you got photos in your family album that I could scan and add to the artwork?
I promise to use the images respectfully, to make a gorgeous glass panel celebrating our town’s social history. I intend to have a silent auction on the panel at the end of the event to raise funds for the church repair appeal.
If you already have a digital copy of a photograph you would like to share with me then please email me email@example.com
I have just completed a public commission with Newton Abbot Museum. They are restoring and moving too the disused St Leonard’s Church in Newton Abbot town centre.
For the last 6 weeks I have commandeered the church, used it as a temporary studio, to teach 160 people various aspects of glass making. We have been creating small pieces of glass art to incorporate into the fabric of the new building. All the work has been made in response to the museum’s artefacts and image library. We have celebrated a wide selection of the museum collection. From Great Western Railway photo’s to the wooden, carved Tudor Sandford Orleigh Screen.
The site is in desperate need of the love it will soon receive, the restoration of the building begins soon, with National Heritage Lottery funding and once converted it will house the museum and the town council chambers. The building has significant stained glass by well known Victorian
artist Fredrick Drake, who also worked on Exeter Cathedral, various sites in Newton Abbot and St Michael’s in Teignmouth. St Leonard’s is also full of lovely carved details and the old organ pipes. It has been a real privilege to work in the building and be part of its future.
I worked with eight community groups in total. Wolborough Primary School, Coombshead Academy, University of the Third Age, Learn Devon, Newton Abbot Art Group, museum volunteers, council workers and local children. I also held 3 days for the general public. Between all these groups we have made tea cups and cakes for a Madge Mellor inspired mobile for the refreshment area and cast glass tiles to decorate the museum walls. We also made lots of painted, acid etched and photo transfer details inspired by the museum’s fantastic and varied collection; which I will incorporate into two, 3m tall panels to flank the main entrance of the building.
In the run up to the new museum building opening the Community Engagement Officer Kate Green will be running various workshops and interactive experiences to connect Newton Abbot citizens with their local museum. Look out for updates in the local press!
Here are some of the things we produced, more to come as soon!
EDGE is an outdoor sculpture trail on Dartmoor and is set in a woodland with a stream running through. The theme this year is Renewal.
I haven’t tried to hang a stained glass window in the woods before and I really like how it looks suspended in the trees. Stained glass is usually in such solid stone and brick built openings and its quite different looking at it just suspended in the air.
The panel mixes fused glass and traditional stained glass painting and leading. Its in a very sturdyy frame, so lets hope it survives the Dartmoor Weather! Heavy rain and thunderstorms are forecast this week, so fingers crossed.
I don’t usually add text to my own work, but I have written a little bit of text that goes around the edge. No idea where this new found poetic streak has come from!
The panel is called Woodland Education and the words say
I have just installed these 2 windows into a newly renovated home in Exeter. The building itself is an old vicarage, which is several hundred years old and has been added to over the years, most significantly in the 1960s and again by the new owners. They have added a new atrium and extension, but this has left the bathroom on the ground and first floors with windows over looking the staircase, so one of the main design factors was obscuring the bathrooms for privacy.
The clients wanted lots of colour, lots of fish and lots of blue. The windows are one above another and visible both from the staircase and the bathrooms. The bottom panel has coral and the fronds
of seaweed reach up and match up to those of the first floor window.
Each of the fish in the design has been formed in my kiln by melting crushed and small strips of glass. Once the glass has melted together into fish shapes I have
painted the details on and re-fired in the kiln to fix the paint in place. Once I made all the fish I incorporated them into a traditional, leaded stained glass windows, mixing modern techniques with traditional ones, which echoes the mixture of old and new architecture in the house.
These have been a labour of love and very time consuming; incorporating fused glass is technically more tricky than a standard leaded panel. But they have been well worth the effort, the clients are delighted with them and I think they have turned out really well. I especially like the way they reflect off the white bathroom tiles and bounce coloured fish reflections around the rooms.
This is a new piece, commissioned for a 1920’s front door for a period house in Exmouth.
My client wanted the local landscape and beach huts as a theme and I enhanced this seaside theme more by acid etching and etching shells into some of the glass border.
Acid etching was the first surface technique I learned and it remains one of my favourite effects. The way that the texture – and therefore light transmission of the glass is altered is both subtle and effective and is very useful for adding close up detail without making the overall design too ‘busy’. To add a contemporary twist I have fired the photograph of Exmouth Beach huts onto glass in my kiln and this modern process gives a contrast to the traditional leading and etching.