Goldfinches in glass

I delivered this panel today. This was commissioned to hide the buildings behind the garden. The home is part of an old converted school in North Devon. The customer watches the birds from the kitchen windows, so we continued that theme for her design.

Although this is a traditional leaded panel I have made the birds by fusing glass in the kiln and then I painted on their wings and put in the kiln a second time. The thistles and foliage have been painted onto the glass using lustre and come to life after dark when the light comes from the inside instead of from behind.

The customer is arranging for the panel to be fixed place , at a height to best obscure the buildings beyond the garden.

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A seaside scene for a window in the turn of the stairs

Based on the Cornwall’s Sennen Cove, this seaside scene combines traditional leading and kiln fired glass paint with kiln formed glass pieces. I made the glass for the beach specially and it has flecks of gold running through the glass. This panel was made to add privacy and hide the side wall of the house next door. It adds a really great feature for the long upstairs hallway.

Fragile Knowledge, Exeter Library Rare Book Commission for Art Week Exeter

I have been working away on this cabinet of curiosity for Exeter Library, as part of  Art Week Exeter. Exeter Library has a a fantastic collection of early and rare books and they have a new scheme to get people to adopt a book from the collection to pay for the restoration of these ancient books.  Continue reading “Fragile Knowledge, Exeter Library Rare Book Commission for Art Week Exeter”

New Work for Edge Sculpture Trail

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Went to install my new panel in the woods at the P1010568annual sculpture trail at High Heathercombe Centre

EDGE is an outdoor sculpture trail on Dartmoor and is set in a woodland with a stream running through. The theme this year is Renewal.

I haven’t tried to hang a stained glass window in the woods before and I really like how it looks suspended in the trees. Stained glass is usually in such solid stone and brick built openings and its quite different looking at it just suspended in the air. face portrait woodland ed

The panel mixes fused glass and traditional stained glass painting and leading. Its in a very sturdyWoodland Education work shopy frame, so lets hope it survives the Dartmoor Weather! Heavy rain and thunderstorms are forecast this week, so fingers crossed.

I don’t usually add textwoodland ed detail to my own work, but I have written a little bit of text that goes around the edge. No idea where this new found poetic streak has come from!

The panel is called Woodland Education and the words say

Gazing up, at the lacework sky of leaves,

‘Is that all?’, she sighed.

‘Oh no’, hushed the trees in wolfish reply.

‘You Can Always Try Again’.

 

 

 

Tropical fish stained glass windows

tropical fish stained glassI have just installed these 2 windows into a newly renovated home in Exeter. The building itself is an old vicarage, which is several hundred years old and has been added to over the years, most significantly in the 1960s and again by the new ownersP1010511. They have added a new atrium and extension, but this has left the bathroom on the ground and first floors with windows over looking the staircase, so one of the main design factors was obscuring the bathrooms for privacy.

P1010513The clients wanted lots of colour, lots of fish and lots of blue. The windows are one above another and visible both from the staircase and the bathrooms. The bottoP1010496m panel has coral and the fronds
of seaweed reach up and match up to those of the first floor window.

Each ofP1010494 the fish in the design has been formed in my kiln by melting crushed and small strips of glass. Once the glass has melted together into fish shapes I have
painted the details on and re-fired in the kiln to fix the P1010482paint in place. Once I made all the fish I incorporated them into a traditional, leaded stained glass windows, mixing modern techniques with traditional ones, which echoes the mixture of old and new architecture in the house.

red fish kiln formedThese have been a labour of love  and very time consuming; incorporating fused glass is technically more tricky than a standard leaded panel. But they have been well worth the effort, the clients are delighted with them and I think they have turned out really well.  I especially like the way they reflect off the white bathroom tiles and bounce coloured fish reflections around the rooms.

Exmouth Window

Exmouth landscape stained glassThis is a new piece, commissioned for a 1920’s front door for a period house inP1000545 Exmouth.

My client wantedacid etched shell the local landscape and beach huts as a theme and I enhanced this seaside theme more by acid etching and etching shells into some of the glass border.

Acid etching was the first surface technique I learned and it remains one of my favourite effects. The way that the texture – and therefore light transmission of the glass is altered is both subtle and effective and is very useful for adding close up detail without making the overall design too ‘busy’.  To add a contemporary twist I have fired the photograph of Exmouth Beach huts onto glass in my kiln and this modern process gives a contrast to the traditional leading and etching.
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